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Saturday 11 February RNW - NEWS AND ANALYSIS FROM THE NETHERLANDS IN 10 LANGUAGES, WORLDWIDE 24/7 ON RADIO, TV AND ONLINE
'Saudade' - a desire for something that will never come back
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'Saudade' - a desire for something that will never come back

Published on : 31 July 2010 - 6:00am | By Mariângela Guimarães (Photo-collage 'Saudade': Neyde Lantyer )
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Many people who don’t speak any Portuguese at all still know the word 'saudade' -  the feeling of nostalgic longing for something, or someone, that may never come back.

Homesickness

A longing - sometimes melancholic, sometimes painful - for the security of something familiar.
It can happen to anyone. Migrants who leave their home countries. Children who are away from home for the first time. Elderly people for whom changes sometimes go too quickly. This summer Radio Netherlands Worldwide has produced a series of stories, tips and recipes on the theme of homesickness. A universal longing for something that is not there.

Saudade needs different expressions to be translated into other languages. It's present in the daily life of native speakers of Portuguese and is a constant theme in Brazilian, Portuguese and Cape Verdean music. But for Portuguese speakers living abroad, the term acquires a much stronger meaning.

Usually considered untranslatable, the word and the feeling 'saudade' is a major Portuguese heritage in the former colonies.

“The sense of guilt that comes with Catholicism is very strong in the Iberian Peninsula and it makes this feeling of melancholy very strong in Portugal,” explains Brazilian musician Nelson Latif:

“In Brazil, the melancholy of the Portuguese blended with the horrific conditions of the Africans, the slaves that couldn’t go back to their lands of origin. And it turned into a kind of embedded feeling of saudade. Saudade is under our skin. Brazilians feel a lot of saudade.”

Missing yourself
Having lived abroad for many years in South Korea, Indonesia, Portugal and the Netherlands, Nelson Latif was confronted with this feeling in an even stronger way.

“What the immigrant feels is saudade for him- or herself, and that is very difficult. You miss the way you were once part of society, the person who you once were. It is a very tricky feeling, because it is a way of denying reality. You create something idyllic - the childhood, the youth that you had - and that can be very complicated, because you want to go back to something that exists only in your mind.”

Milan Kundera, in his book 'Ignorance', mentions that this feeling comes when you have distanced yourself to the point of not knowing anymore what is going on - you are apart, you are out. Brazilian photographer Neyde Lantyer, who has lived in the Netherlands for almost ten years, refers to this:

“To live abroad creates a feeling of disconnection, and I believe that this is what hurts. I feel bad for not knowing, not being around what is happening in Brazil nowadays,” says Lantyer. “I am permanently in a state of saudade. Not only for Brazil, but also for the past.”

For the Portuguese fado singer Maria de Fátima, who has lived in the Netherlands for 29 years, saudade is best described not as 'homesickness', but as a desire for something that will never come back. A feeling that she sings about in many fados. “Almost all fado lyrics are about saudade. Saudade for a lost love, for the past. It is the most important word in fado, and, through fado, it is known worldwide.”

Paradox
For these three immigrants – and probably for many others – one thing is true: the distance from the homeland, strangely enough, also brought a greater proximity with it, through the feeling of saudade and through music.

“When I feel saudade I sing. It is the only way to make it hurt less. I sing to express all that I feel. I give my saudade to my public, and they feel it,” says Maria de Fátima.

”In Brazil I used to play jazz. Being abroad, I rediscovered Brazilian culture and fell in love with it. Nowadays I play samba, choro, typical Brazilian music,” says guitarist Nelson Latif.

Although coming from the field of fine arts, Neyde Lantyer started a project of Brazilian music in the Netherlands – subconsciously, she thinks, as a way of getting closer to Brazil. “Paradoxically, the greatest encounter that a person can have with him- or herself,” she believes, “is when they leave their roots and the proximity of who they are.”
 

  • Maria de Fátima <br>&copy; Photo: Johan Huizinga - http://www.mariadefatima.com
  • Nelson Latif<br>&copy; Photo: personal archive - http://www.nelsonlatif.com

Discussion

Anonymous 1 September 2010 - 4:24am / USA

Wow, this is exactly the way I've been feeling now for a good portion of my life. But, mine is not as much a disconnection of place and country. Mine really is a feeling of loss of the past. So a person might say, I'm melancholy (sp?). However, it's not just me and my life or past. I feel a sense of loss or missing the past of the world. I feel that as a society we've slipped too fast into the "future" and lost a sense of the life that we SHOULD be living, as a whole. We've sacrificed wholeness and true freedom for control and so called "safety". When in fact most people say they feel the least safe ever... because those in power keep causing more problems than they ever even analyze to truly fix. They ALWAYS focus on so-called symptoms and NEVER focus on roots of problems. In this Capitolistic world we've got nearly ALL problems can be pointed to: POVERTY. And poverty is caused by Capitolism, because ALL decisions are primarily driven by money and profit considerations and NOT people OR the future of humanity. There it is.

Morgana 1 August 2010 - 9:16pm / Sweden

“Paradoxically, the greatest encounter that a person can have with him- or herself,” she believes, “is when they leave their roots and the proximity of who they are.”
I agree with this wholeheartedly. I left my home country (USA) and have lived in three different countries on three different continents. I feel the paradox of the fact that I feel I know myself, my background, and my homeland much better since leaving, but at the same time I feel disconnected from it. I can never go back to being the way people who have never left are, even if I wanted to. So it makes me feel a bit foreign everywhere I go. But at the same time I feel I know myself so much better... when I do visit my hometown I appreciate things about it that most people there don't appreciate, and the same thing goes for wherever I'm living out in the world. It sort of makes you feel disconnected from everywhere but also more connected to life and place. Your view of the world becomes unique and disconnected with the reality of most people around you, and you start to pine after a mythical world that combines the best of your memories, the best of all the places you've been and times you've had, and this brings on a feeling that can go from melancholy to joy, joy at imagining such beautiful possibilities and things, but melancholy because you know it's a myth, so you wonder why you are being tortured with being able to imagine such beautiful things but not have them in your life. You feel simultaneously blessed and cursed.

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